April comes like an idiot, babbling and strewing flowers

Edna St. Vincent Millay, "Spring." Again and again, darkly; the year circles and returns.


To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

Conrad Aiken, "The Vampire"

She rose among us where we lay.
She wept, we put our work away.
She chilled our laughter, stilled our play;
And spread a silence there.
And darkness shot across the sky,
And once, and twice, we heard her cry;
And saw her lift white hands on high
And toss her troubled hair.

What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.

We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;

And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.

Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.

And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.

And this we heard: "Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body's flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame."

And darkness fell. And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.

And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.

"Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth," they said,
"And beautiful to kiss;
Her mouth is sinister and red
As blood in moonlight is."

Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.

Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.

No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.

Until at dusk, from God knows where,
Beneath dark birds that filled the air,
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.

Vachel Lindsay, "A Net to Snare the Moonlight"


[What the Man of Faith said]

The dew, the rain and moonlight
All prove our Father's mind.
The dew, the rain and moonlight
Descend to bless mankind.

Come, let us see that all men
Have land to catch the rain,
Have grass to snare the spheres of dew,
And fields spread for the grain.

Yea, we would give to each poor man
Ripe wheat and poppies red, —
A peaceful place at evening
With the stars just overhead:

A net to snare the moonlight,
A sod spread to the sun,
A place of toil by daytime,
Of dreams when toil is done.

May Swenson, "Water Picture"


In the pond in the park
all things are doubled:
Long buildings hang and
wriggle gently. Chimneys
are bent legs bouncing
on clouds below. A flag
wags like a fishhook
down there in the sky.

The arched stone bridge
is an eye, with underlid
in the water. In its lens
dip crinkled heads with hats
that don't fall off. Dogs go by,
barking on their backs.
A baby, taken to feed the
ducks, dangles upside-down,
a pink balloon for a buoy.

Treetops deploy a haze of
cherry bloom for roots,
where birds coast belly-up
in the glass bowl of a hill;
from its bottom a bunch
of peanut-munching children
is suspended by their
sneakers, waveringly.

A swan, with twin necks
forming the figure 3,
steers between two dimpled
towers doubled. Fondly
hissing, she kisses herself,
and all the scene is troubled:
water-windows splinter,
tree-limbs tangle, the bridge
folds like a fan.

e.e. cummings, "maggie and milly and molly and may"

10

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it's always ourselves we find in the sea

The NYT did this nifty little piece with poems prompted by tax-season, and this one grabbed me. Laura Kasischke, "April."



That was the year in which
we had to pay
the tax on love, which

was grief, of course. Of
course, it was
more than we
could ever afford. They’d

heard that story before.

Don’t answer the phone.

But now we know:
If you don’t answer the phone,
they come to the door.

Our only deduction
was our only hope:
The expensive coat

she’d never worn. Not
once. Not a single
stroll along the lake.
Not one snowstorm.

But life went on
and would go on, and
there were atomic
stockpiles to pay for.
The schools
were failing.
The dogs
howled alongside
the coyotes every night.
For which, some personal
responsibility we bore.
Right?

But the days were
blinding, as
always, in April. All
that white paper. Such

light, like April. Like
the light that a child, lost
in a cathedral for weeks,
might finally need to eat.

The petals of the lilies
and the communion wafers
and the emptiness peeled
from the bottom
of the empty collection plate.

For instance, she died
with an eye
still open, and
in the pupil —

Yes, I hate to say it:

April.
Of course.
In which a tiny agent
at a tiny desk
with a gleaming
pinprick for a pen

crunched her numbers,
pored over her forms.

Lisel Mueller, "Love Like Salt"

It lies in our hands in crystals
too intricate to decipher

It goes into the skillet
without being given a second thought

It spills on the floor so fine
we step all over it

We carry a pinch behind each eyeball

It breaks out on our foreheads

We store it inside our bodies
in secret wineskins

At supper, we pass it around the table
talking of holidays and the sea.

Judson Micham, "Etiquette."


June goes gaudy with bad boutonnieres—
flamingo mimosas, the giant
magnolia's bowl of petals. Let us consider

the man not welcome at the wedding.
What's the etiquette for the bad father?
What's the right flower for the ignored-

with-good-reason, the uninvited? A hydrangea,
head wide as a cabbage; or the bull thistle
wild along the roads; or a dandelion,

only a stalk stuck to his lapel by the time
he insists on their dance? He is a sad weed
himself, this man who has no daughter

but tries to hold her.

W.H. Auden, "The More Loving One"


Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.

Swiped this one from The New Yorker. Jeff Dolven, "Rituals."

Washing your hands, trying the lock,
burning a hundred head of cattle
not to eat, washing your hands
again, trying the lock again,
talking forever to yourself,
saying the sorts of things the god
least can understand, who finally
figures this must be for me