what I did on my summer vacation
May. 24th, 2006 01:49 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Since returning from vacation, I have done four things, and four things only: worked, stressed, bought manga, and read manga.* I've been buying stuff faster than I've been reading it lately--that's what happens when you work overtime in a bookstore--and I have a tall stack of books piled by my bedside I've mostly been ignoring in favor of the scads of Here is Greenwood** lent to me by a friend. Yesterday, I bought the first volumes of Red River, Case Closed, Doubt, and Hot Gimmick***, and was flipping through them while waiting for my coffee. I started comparing the first pages of each of them, and mulling on what makes for a really strong opening page.
The first page of Hot Gimmick, for instance, looks pretty weak in comparison to Red River. Hot Gimmick's first page is one full-page panel depicting a clear sky. The only text is the (then) anonymous narrator stating that she lives in company housing, and then explaining what company housing is. Not very riveting. Red River's first page is divided into three panels: two small upper panel, and one larger panel at the bottom, featuring the presumed protagonist, in a passionate embrace with a boy. The text is the protagonist's voice, identifying herself, and saying that this is her first kiss.
These are both multi-volume shoujo titles (last I heard, Hot Gimmick was up to about ten volumes in English, Red River around twelve); one a domestic teen romance/drama, the other a teen historical fantasy--both genres I like, and I know approximately the same amount of the story for both. If I were sixteen, and had ten dollars to spend, and my mother or father was standing a few feet away, urging me to just pick a book so we could go home--? I'd take Red River in a heartbeat, even though I'm pickier about fantasy titles than I am about domestic drama. I'm not sixteen, and I spend more on manga than on any other form of entertainment, so I bought both. But most people don't buy dozens of books based on casual recommendations, or because a customer liked it, or because they want to maintain a firm grasp on the unofficial title of "Local Manga Expert."
Nothing I bought yesterday, by the way, hooked me the way a really good opening page can--I can think of about four manga I've read in the last year where I picked up the first volume and was stunned by the first page: Alice 19th, Othello, Please Save My Earth, and Crossroad.**** When I say stunned, I'm talking about having looked at the page, with no sense at all of what was to follow, and instantly wanting to read on, but being so captivated by the sense of anticipation that I had to take a moment to just look at it. I don't mean "marveling at the art"--good art helps, but it can't, by itself, create that kind of emotional hook without the writing or the page layout to back it up. It's the kind of thing that can only be put together when the creator already knows what the heart of the story is, and when she has the skill to convey it in a few words or images.
When I got home, I spent an hour or so pulling manga I'd already read off of the bookshelves to look at the first pages again, comparing and contrasting, trying to figure out what the common elements were in the really good first pages, counting how many pages it took before I'd see, say, a clear image of the main characters, or hear their voices, or get a sense of the plot. I also sifted through the pile of unread books, making snap judgements about what I was most interested in reading, based on the first pages. I wondered if, should I ever get access to a scanner, I would have enough different titles to take all these first pages and do a serious comparison of them for, say,
manga_talk, so I started counting, and realized I have seventy-three.***** Seventy-three different titles, mind you; the number of actual books is considerably higher, what with eight volumes of Tramps Like Us and ten of Petshop of Horrors and whatnot.
Which brings me to the real point of this post, which is that I need another bookcase. Again.
*Things I have not done since returning from vacation include: laundry, grocery shopping, or any cleaning of the apartment whatsover.
**Here is Greenwood is a classic shoujo school series which reads a lot like Maison Ikkoku or an Ai Yazawa title in the sense that you spend up to an entire volume not really liking the characters and wondering why this is so popular, and then, suddenly, in the second volume, you realize you're totally hooked and love everybody and would cheerfully read another fourteen or so books worth of it.
***Popularly known on my flist as "the manga of feminist shame."
****A Go! Comi title I bought literally the first time I saw in on a bookstore shelf, without even looking at it, based on the fact that it's a Go! Comi title. Go! Comi also publishes Cantarella and Her Majesty's Dog, two of the best new titles around that nobody besides
octopedingenue seems to be reading. Shame on you all.
*****Seventy-six, counting the OEL.
The first page of Hot Gimmick, for instance, looks pretty weak in comparison to Red River. Hot Gimmick's first page is one full-page panel depicting a clear sky. The only text is the (then) anonymous narrator stating that she lives in company housing, and then explaining what company housing is. Not very riveting. Red River's first page is divided into three panels: two small upper panel, and one larger panel at the bottom, featuring the presumed protagonist, in a passionate embrace with a boy. The text is the protagonist's voice, identifying herself, and saying that this is her first kiss.
These are both multi-volume shoujo titles (last I heard, Hot Gimmick was up to about ten volumes in English, Red River around twelve); one a domestic teen romance/drama, the other a teen historical fantasy--both genres I like, and I know approximately the same amount of the story for both. If I were sixteen, and had ten dollars to spend, and my mother or father was standing a few feet away, urging me to just pick a book so we could go home--? I'd take Red River in a heartbeat, even though I'm pickier about fantasy titles than I am about domestic drama. I'm not sixteen, and I spend more on manga than on any other form of entertainment, so I bought both. But most people don't buy dozens of books based on casual recommendations, or because a customer liked it, or because they want to maintain a firm grasp on the unofficial title of "Local Manga Expert."
Nothing I bought yesterday, by the way, hooked me the way a really good opening page can--I can think of about four manga I've read in the last year where I picked up the first volume and was stunned by the first page: Alice 19th, Othello, Please Save My Earth, and Crossroad.**** When I say stunned, I'm talking about having looked at the page, with no sense at all of what was to follow, and instantly wanting to read on, but being so captivated by the sense of anticipation that I had to take a moment to just look at it. I don't mean "marveling at the art"--good art helps, but it can't, by itself, create that kind of emotional hook without the writing or the page layout to back it up. It's the kind of thing that can only be put together when the creator already knows what the heart of the story is, and when she has the skill to convey it in a few words or images.
When I got home, I spent an hour or so pulling manga I'd already read off of the bookshelves to look at the first pages again, comparing and contrasting, trying to figure out what the common elements were in the really good first pages, counting how many pages it took before I'd see, say, a clear image of the main characters, or hear their voices, or get a sense of the plot. I also sifted through the pile of unread books, making snap judgements about what I was most interested in reading, based on the first pages. I wondered if, should I ever get access to a scanner, I would have enough different titles to take all these first pages and do a serious comparison of them for, say,
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
Which brings me to the real point of this post, which is that I need another bookcase. Again.
*Things I have not done since returning from vacation include: laundry, grocery shopping, or any cleaning of the apartment whatsover.
**Here is Greenwood is a classic shoujo school series which reads a lot like Maison Ikkoku or an Ai Yazawa title in the sense that you spend up to an entire volume not really liking the characters and wondering why this is so popular, and then, suddenly, in the second volume, you realize you're totally hooked and love everybody and would cheerfully read another fourteen or so books worth of it.
***Popularly known on my flist as "the manga of feminist shame."
****A Go! Comi title I bought literally the first time I saw in on a bookstore shelf, without even looking at it, based on the fact that it's a Go! Comi title. Go! Comi also publishes Cantarella and Her Majesty's Dog, two of the best new titles around that nobody besides
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
*****Seventy-six, counting the OEL.
no subject
on 2006-05-24 05:58 pm (UTC)no subject
on 2006-05-24 06:07 pm (UTC)I dunno. Melodramatic historical Italian fantasy with a hot, bisexual, incestuous, menage a trois subtext might be a kind of niche taste, maybe?
no subject
on 2006-05-24 06:11 pm (UTC)no subject
on 2006-05-24 06:20 pm (UTC)(What's One thousand and one nights? Any relation to the actual Arabian Nights?)
no subject
on 2006-05-24 07:43 pm (UTC)hotmad sultan. It's borrowed the structure from the Arabian Nights, but Scherazade is malewith a sister who wants to marry him. :Dno subject
on 2006-05-24 09:12 pm (UTC)Incestalicious, indeed!It's so totally
probablynot my thing, but I'll try almost anything on recommendation, and also it vaguely reminds me of Petshop of Horrors. Off to the bookstore! Assuming I manage to pay rent this month, that is.no subject
on 2006-05-24 08:36 pm (UTC)no subject
on 2006-05-24 09:06 pm (UTC)I certainly don't mind stuff where the first page or two is in color, although I think it hurts a book if colored pages are reprinted in black and white--painted color converted to grayscale looks hideous; I remember thinking that the art in the beginning of Maison Ikkoku was blotchy and awful, because I didn't realize it was originally in color. I'm inclined to think that as eye-catching as color can be, whether a book starts in black and white or color is less important than what kind of information you get about the protagonist, whether there's any focal point on that first page--it can have color or not, but what matters is how well it will work to grab someone's interest, not only in the art, but in the story.
(xxxHolic and Tsubasa, alas, I classify as "the CLAMP I hate." I just want 'em to finish X.)
no subject
on 2006-05-24 09:46 pm (UTC)I am not a fan of the color pages. I think they look funny, especially when compaired to the rest of the book.
what kind of shelving and what kind of order you you have your books shelved?
no subject
on 2006-05-24 09:51 pm (UTC)no subject
on 2006-05-24 10:07 pm (UTC)What do you read outside of manga?
no subject
on 2006-05-24 11:19 pm (UTC)no subject
on 2006-05-25 06:48 am (UTC)no subject
on 2006-05-25 01:52 pm (UTC)