![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
bookblogging
May. 22nd, 2008 12:48 pmManga:
Watase Yuu: Ceres: Celestial Maiden vol. 3
(this is the only major Yuu Watase work I never made any progress on, and I'd really like to finish it, even though![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
m00nface says it broke her heart and ripped it into shreds and then taped the shreds back together and ripped them up again and stomped all over them for good measure, or words to that effect. I just can't help it; I'm a Yuu Watase fangirl, and I will be until I die.
This manga is more frighteningly violent than I remember it being. I think when I read the first two volumes, several years ago, I took this level of violence in comics a little bit more for granted. There's a deep sense of menace in the regular, eerie, spontaneous combustions, helicopter attacks, mind-controlled assaults, and telekinetic attacks. Aya's naive in trying to live a normal life despite everything that's been revealed to her, but it's the disruption of normality that makes this violence so scary, the way trustworthy elements of her daily life are gradually revealed to be corrupted. Coupled with that is the way her family has been destroyed--all Aya has left of that is her brother, who is in the hands of her enemy--this is not something she can really run away from.
Even though Watase's famous, or so I have been told, for reviving epic fantasy shoujo, this is a recurring motif in her works--no matter how far you go, or where you travel, there's no running away from danger. It always, always comes home to you in the end, and that's where you have to fight it. Watase's battles are always domestic, and that makes them rather horrible.
Speaking of Aya's brother, I really like the kid, and that fills me with forboding, because another recurring motif in Watase's manga is the loved, trusted, dear friend who is loyal and well-meaning, but becomes corrupted and turns into a deadly enemy. I can feel my heart getting ready to break already.
The art, as always, is spectacular. Watase excels at creating the impact page, visually interesting and emotionally evocative, although I tend to need to take a break after an action sequence, or I stop being able to absorb what I'm reading.
Side note: I love Suzumi, who is a neat-o character all around, but I am constantly distracted by the fact that she looks exactly like Count D from Matsuri Akino's Petshop of Horrors in a kimono).
Kanari Yozaburo, author, Sato Fumiya, artist: Kindaichi Case Files: House of Wax
(this was no less ridiculous than the other volumes of Kindaichi Case Files I've read, but I enjoyed it more, I think because Akechi figures prominently in this one.
( Read more... )
The murder methods were also engagingly gruesome, which of course never fails to entertain).
Ohba Tsugami, author, Obata Takeshi, artist: Death Note vol. 1
(reread. I just wanted to refresh myself with the manga so I could compare it better with the godawful movie, and as I replied to a comment in a different entry, it's a much better execution of the concept (and not just because it originated the story).
( It is a problematic work. )
Watase Yuu: Ceres: Celestial Maiden vol. 3
(this is the only major Yuu Watase work I never made any progress on, and I'd really like to finish it, even though
m00nface says it broke her heart and ripped it into shreds and then taped the shreds back together and ripped them up again and stomped all over them for good measure, or words to that effect. I just can't help it; I'm a Yuu Watase fangirl, and I will be until I die.This manga is more frighteningly violent than I remember it being. I think when I read the first two volumes, several years ago, I took this level of violence in comics a little bit more for granted. There's a deep sense of menace in the regular, eerie, spontaneous combustions, helicopter attacks, mind-controlled assaults, and telekinetic attacks. Aya's naive in trying to live a normal life despite everything that's been revealed to her, but it's the disruption of normality that makes this violence so scary, the way trustworthy elements of her daily life are gradually revealed to be corrupted. Coupled with that is the way her family has been destroyed--all Aya has left of that is her brother, who is in the hands of her enemy--this is not something she can really run away from.
Even though Watase's famous, or so I have been told, for reviving epic fantasy shoujo, this is a recurring motif in her works--no matter how far you go, or where you travel, there's no running away from danger. It always, always comes home to you in the end, and that's where you have to fight it. Watase's battles are always domestic, and that makes them rather horrible.
Speaking of Aya's brother, I really like the kid, and that fills me with forboding, because another recurring motif in Watase's manga is the loved, trusted, dear friend who is loyal and well-meaning, but becomes corrupted and turns into a deadly enemy. I can feel my heart getting ready to break already.
The art, as always, is spectacular. Watase excels at creating the impact page, visually interesting and emotionally evocative, although I tend to need to take a break after an action sequence, or I stop being able to absorb what I'm reading.
Side note: I love Suzumi, who is a neat-o character all around, but I am constantly distracted by the fact that she looks exactly like Count D from Matsuri Akino's Petshop of Horrors in a kimono).
Kanari Yozaburo, author, Sato Fumiya, artist: Kindaichi Case Files: House of Wax
(this was no less ridiculous than the other volumes of Kindaichi Case Files I've read, but I enjoyed it more, I think because Akechi figures prominently in this one.
( Read more... )
The murder methods were also engagingly gruesome, which of course never fails to entertain).
Ohba Tsugami, author, Obata Takeshi, artist: Death Note vol. 1
(reread. I just wanted to refresh myself with the manga so I could compare it better with the godawful movie, and as I replied to a comment in a different entry, it's a much better execution of the concept (and not just because it originated the story).
( It is a problematic work. )
