cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
Non-fiction prose:

Nicholson, Geoff: The Lost Art of Walking
(didn't finish it--I don't quite remember why now, but I think it was because it was sort of boring and mostly about the author's own experiences walking, rather than being a more general treatise on the act of walking. The latter would have been informative; the former is pretty dull).


Mystery:

Stout, Rex: A Right To Die
(While I appreciate that Stout probably meant well in making race the theme of this book, he probably shouldn't have, because he does a lot of dumb things. The bulk of his work predated the Civil Rights Movement, and racial relations seem to have crept up on him in the last decade of his very long and prolific career. However, the various wince-inducing race-related moments in this book have nothing, absolutely nothing, on the introduction by David Stout--no relation to Rex--which was written in 1994, and kicks off by saying that although there's nothing wrong with a white woman and a black man in a relationship, we all have to look deep into our hearts in order to realize that. Oh, David Stout, FUCK YOU. Rex Stout was a man of his time belatedly recognizing the significance of Civil Rights, and his racial sins were sins of omission, not something more toxic. And he was trying. There is no racist apology in the book itself that equals David Stout's implication that interracial relationships are shocking and taboo and morally troublesome. To to say something that asinine in 1994, in the service of introducing a not particularly transgressive work? Go to hell).

Stout, Rex: And Four to Go, Black Orchids, Trouble in Triplicate
(all very enjoyable, all lacking the mild ambition of discussing race in any way, all lacking people of color, which is pretty standard for Stout. As I said, sins of omission. I'm white and don't know much about the history and racial politics of New York circa 1930-1960, so that tends to be easy for me to ignore).


Graphic novels/comics:

Bechdel, Alison: Dykes and Sundry Other Carbon-Based Life-Forms to Watch Out For.

Rabagliati, Michel: Paul goes fishing
(less about fishing and more about the heartbreak of miscarriage. It's a good book, but not all that well structured. The other Paul books were stronger).

Robinson, Alex: Tricked
(Hated the rock star guy--the romance was underwhelming, and I felt no sympathy for him at all, nor interest in how his sudden fixation on Lily made his life better. It didn't make him a better or more interesting person, it just made him happy, and I don't care. Generally, I hated or barely liked most of the characters, and the conceit of their lives all becoming intertwined until they culminate in that one climactic moment--eh. I've seen it done much better).

Delisle, Guy: Burma Chronicles
(waaaaaaay better than Shenzhen, in many ways, and more of a genuine pleasure than Pyongyang, which was almost purely upsetting. For whatever reason--because he was here with a wife and child, because his wife was deeply involved in humanitarian work in Burma, and the related politics of that, because the length of his stay and his more relaxed lifestyle permitted it--Delisle actually seems to have gotten to know people in Burma, and learned about their lives and culture. While China's political system is by no means ideal to me, Delisle's criticisms of Shenzhen seemed, well...shallow, uninformed, ethnocentric, and lacking in real critical perspective--there is legitimate criticism of China to be made, quite a lot of it, but he wasn't doing it well, and he came across as totally uninterested in people's actual lives. Not the case here. Although life in Burma is pretty depressing and scary in many ways, same as in Pyongyang, this is a much warmer book nevertheless--the description of the betel-nut chewing, the Water Festival, the love of children that made Delisle's infant son very popular in his neighborhood, the deeply emotional, quiet reverence that the locals hold for Aung San Suu Kyi, sitting silently under house arrest in a decades-long act of political protest--all of this made for a much richer, more interesting, less ethnocentric book than Shenzhen. This one, I can whole-heartedly recommend).
cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
Graphic novels:

Sturm, James: The Golem's Mighty Swing.

Delisle, Guy: Shenzhen: A Travelogue from China
(Delisle occasionally struck me as a jerk in Pyongyang, but I was distracted by the awfulness of North Korea. China and Shenzhen sure as hell aren't paradise, but with their comparative freedom and openness and chaos, Delisle's discontent with his surroundings seems pettier and less profound.

Also more sexist. When he sees women wielding pickaxes on a construction project, he remarks that this is "the downside of women's liberation."

No. No it isn't, you smarmy dickwad. Women have been doing manual labor all over the world for as long as there's been manual labor. They've been doing this type of manual labor as well as domestic manual labor like cooking, cleaning, and laundry, and it's only ever been in select times and places where women belonging to the wealthy, privileged classes wouldn't have done any manual labor at all, and you can be damn sure that in those times and places and classes, their male counterparts wouldn't have been doing manual labor either. Throughout the history of the fucking human race, women have worked just as hard as men; this is not some kind of unforeseen side-effect of feminism that leaves Chinese women writhing with chagrin.

The shallow flippancy of that remark ticks me off, not least because in an earlier chapter, when Delisle notices a female hotel worker furiously scrubbing laundry by hand, his only reaction is that the washing machines he's seen must only be for show. But the intense manual labor involved in washing laundry by hand, carried out by a woman? Completely unremarkable. Women are there to do laundry; laundry is done by women, whether they do it with machines or by hand. It's not manual labor, it's just women's work.

Maybe this isn't Delisle's conscious belief. But it is an aspect of the cultural lens with which he views the cities he visits, and when something less appalling than a totally closed totalitarian state in his focus, the flaws of that lens are harder to ignore).


Hornschemeier, Paul: The Three Paradoxes
(reminded me a bit of Ice Haven.).



Manga:

CLAMP: RG Veda vol. 1.

Hidaka Yoshiki, story, Tsugihara Ryuji, art: The First President of Japan vol. 2
(talk about your fantasies of political agency, huh).

Mizushiro Setona: After School Nightmare vol. 5.

September 2012

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