cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (the sky is bleak and lovely)
It's the holidays! Lots of family members that I love and miss and rarely see are en route to visit me and my sister for the holidays, for the first time since we moved Boston. It's very exciting! Too bad the horrible/picturesque winter storms have stranded and delayed 'em all.


Graphic novels/comics/picture books:

Hernandez, Gilbert: Chance in Hell
(I adore this man).

Giardino, Vittorio: No Pasaran vol. 3
(a little anti-climactic, but far from disappointing).

Tudor, Tasha: Corgiville Faire
(a friend saw this and spontaneously bought it for me and sent it to me, along with the news that she's decided to take classes in my library program next semester. I don't know what thrilled me more, the happy news, or the happy dogs).


Manga:

Tezuka Osamu: Dororo vol. 2.


I've not been reading a lot lately. For some reason, whenever I'm not baking (purely for fun! I just made a honey cake. Why not? To buy the honey for it, I only had to tramp a mile through snow, slush, sleet and hail--yes, all of those; the temperature is in flux right now. I got some fennel while I was at it. Normal people buy toilet paper and milk in preparation for bad storms; I buy fennel and brussel sprouts), I'm doing crossword puzzles. Got me why.
cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (eaten by affection)
Graphic novels/comics:

Kanan, Nabiel: Lost Girl
(so memorable, I've already forgotten what it was about).

Gurewitch, Nicholas: The Perry Bible Fellowship: The Trial of Colonel Sweeto and Other Stories
(that's quite an imagination Gurewitch has).

Kochalka, James: Monkey vs. Robot.

Giardino, Vittorio: No Pasaran! vol. 2
(the more I read of this, the more I dig it. He's got a really spare style, so it takes some time to get used to the characters, but it kind of crawls up under your skin, the bright, crisp, colorful art, the beauty of landscape and the well-rendered details of houses, cars, trains, airplanes, military uniforms...I know zilch about the Spanish Civil War, so I'm going to need to read up on it).

Benson, John, editor, Dana Dutch (presumed) author, Matt Baker, artist, et al: Romance Without Tears: '50s Love Comics--With a Twist!
(Fantagraphics. The stories are not really "with a twist," like those romance comics with the text rewritten to snark the original stories. This is a collection of actual romance comics published by Archer St. John in the 50s, presumably written by Dana Dutch and mainly illustrated by Matt Baker; however, as there are no surviving records proving Dutch wrote the scripts, we can't be entirely sure all of these are Dutch's work, and the collection is copyrighted by Benson. In the introduction, Benson explains that the older romance comics of the fifties featured surprisingly liberated and self-possessed heroines, far more so than their counterparts in the 1960s, which are notorious for the "tear-stained faces" of their covers. These 50's comics are still conservative about sex and marriage--sex outside of marriage is presented as disastrous, shameful, and rare, and this is not historically true of what actual people did in the 1950's. That said, Benson's observations about the nature of the heroines and their actions in these comics is borne out by the texts--the collection is just chock full of young women who learn by experience, make decisions for themselves (and sometimes make mistakes), cry infrequently and briefly, and who have the kinds of relationships with their boyfriends, parents, siblings, and friends that support mature growth. Well worth checking out).

Simmonds, Posy: Gemma Bovary
(On the subject of good stories involving romance and well-written women--this is fucking brilliant in every regard, and oh so clever. I highly recommend it).
cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
I have to post once a week on a discussion board for my not-really-cataloging class; the first week, I posted about the weird, fragmentary way graphic novels get classified and shelved in public libraries. I also posted about having retagged hundreds of back entries in this journal once I started focusing so much on reading graphic novels. The professor now knows me as "Margaret, who likes graphic novels." I should have mentioned that I tag food related posts with "101 things to stuff with goat cheese," and all poetry related posts with "april is national poetry month."


Graphic novels:

Kelso, Megan: The Squirrel Mother Stories.

Campbell, Eddie: The Fate of the Artist.

Sala, Richard: The Grave Robber's Daughter.

Giardino, Vittorio: No Pasaran! vol. 1
(ComicsLit. I was thinking that this was the shortest damn spy story I'd ever read until I got the end and realized it was only volume 1. The spine tag covered that bit up, and I had no idea when I started it wasn't a complete work).

Kuper, Peter: Speechless
(not actually a graphic novel, but an artbook and collection of sketches. Kuper impresses me even more now than he did before; he's quite a stunning artist, with a fiery political spirit. I had no idea how prolific his work was, but after looking at the magazine cover selections, I realized I must have seen his work dozens of times before I picked up Sticks and Stones).


Manga:

Kanari Yozaburo, story, Sato Fumiya, art: Kindaichi Case Files: Kindaichi the Killer Part 1, Kindaichi Case Files; Kindaichi the Killer Part 2
(I think I have the answer to the Saki #2 question. A slightly more inclusive character guide at the beginning of these books would have eliminated the question, though.

Damn, I love Akechi. I'm inclined to think he never seriously thought Kindaichi was guilty, but was just running with it because Akechi loves fucking with Kindaichi).

September 2012

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