cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (joyful mai)
I'm a great cook. Why am I eating marshmallows for lunch?

Novels/prose books:

Heyer, Georgette: Behold, Here's Poison
(I loved the twist in the last fourth or so of the book, and the gradual reversals and the increasing darkness as they investigate the victim. Good even by Heyer's consistantly high standards).


Graphic novels:

Varon, Sara: Robot Dreams
(First Second. I wish someone had warned me that rather than being the fluffy story about the power of friendship that the cover would suggest, this book is actually a tale of heartbreaking betrayal, shattered dreams, horrifying instances of suffering and dismemberment, and the alienation of modern society).


Westerlund, Christian, and Robert Nazelby Herzig: Angel Skim
(NBM ComicsLit, also responsible for the far superior Paul Auster work, City of Glass.

~edit~ Oh hell, no they weren't. Neon Lit published the graphic novel adaptation of City of Glass. My bad. But NBM ComicsLit is responsible for publishing this piece of shit. End edit.

It would be untrue to say I read this, for I gave up nine pages in on account of the writing being laughably bad. Everything smells like semen-and-rot or cigarettes-and-whisky, or is decorated with water-and-insects or rusted-shopping-carts-and-rotten-cardboard-boxes. And nothing really conveys nihilism like drinking cold coffee, huh? The credits do not make it clear who wrote and who drew, I think because the art is fine, but neither creator wants to be held accountable for the prose).


Various: Four Letter Worlds
(An Image anthology of black-and-white shorts. Contributors include Steve Lieber, Scott Morse, Mark Ricketts and Phil Hester, Andi Watson, Anthony Johnston, B. Clay Moore, Steven Griffin, Jim Mahfood, Jeff Parker, Robert Kirkman, Matthew Roberts, J. Torres, John Bernales, Eric Stephenson, Mike Norton, Jay Faerber, Steve Rolston, Matt Fraction, Kieron Dwyer, Joe Casey, Mike Huddleston, Amber Benson, and Jaime McElvie. Stories range from excellent to why-in-hell-did-the-editor-think-this-was-worth-publishing?

Highlights. )


Manga:

Takahashi Rumiko: One Pound Gospel vols. 1-2
(older Takahashi work is better Takahashi work. This lacks the underlying romance of Maison Ikkoku, but it's worth it for the shenanigans alone, whether or not you give a damn about Kosaku's crush on Sister Angela, which I can't say I do. Yay VIZ, for republishing this! I'm grateful to see it on the market again, since I was too callow to look at it the first time).


Nakamura Yoshiki: Skip*Beat vol. 14
Mild spoilers for ongoing developments. )


Umino Chico: Honey and Clover vol. 2.

Iwahara Yuji: King of Thorn vol. 4
(whoa, he just changed all the rules. I am intrigued!).
cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
Graphic novels/comics:

Tomine, Adrian: Shortcomings
(someday, I'll read a Drawn and Quarterly publication where the characters aren't all self-absorbed jerks. It's a good book, though, and I'm pretty sure Tomine didn't expect me to feel a lot of sympathy for Ben).


Rucka, Greg, author, and Steve Lieber, artist: Whiteout
(possibly volume 1? Not sure. Good art, good writing; the most interesting part of the book to me was actually Rucka's afterword about searching for an artist capable of illustrating this specific story--they had to be able to do B&W, to draw cold, to draw women--as in, human women, and not the superhero fare Rucka presumably has a lot of experience with--and who would do the research necessary for getting the visuals right. He is clearly happy with Lieber on these counts (and so am I!), but it really made me want to see a roundtable with Rucka and Lieber discussing this, and the interplay of the words and story that Rucka wrote and how Lieber made it into pictures on a page. I always want to read that sort of thing, because this particular kind of collaboration is fascinating to me...oh well.

This is Oni Press, by the way).


Aragones, Sergio: The Groo Festival
(as always, I lol'd. And every exchange of "...as any fool can plainly see!" Groo: "I can plainly see that!"--always funny).

September 2012

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