cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
Novels/prose books:

Romance:

Bourne, Joanna: My Lord and Spymaster
(This was definitely not as good as The Spymaster's Lady. I liked Jess enormously, and whatsisname, Hawke? But I never warmed to the male lead. And the idea that Jess, who was in every way a full partner in her father's business, would actually give up her very successful career there--I mean, she basically built the accounting system--to marry that prick left me with a sour taste in my mouth. It was quite the let-down after Spymaster's Lady).


Fantasy:

Turner, Megan Whalen: A Conspiracy of Kings
(GOD I was not expecting that ending. I can't really discuss it without massive spoilers but...wow, is this ever not how I was expecting things to turn out, not after The Thief, not even after Queen of Attolia, not even after King of Attolia. And yet...it feels like less of a stretch than it might have; it is in some ways a very organic development from things that happened in Queen.

Though I haven't heard anything about another book, I am expecting at least one more. I get a very strong feeling that Turner isn't done with this story).


Manga:

Anno Moyoco: Sugar Sugar Rune vol. 3
(Anno? You have a genius).

CLAMP: Wish vols. 1-2
(To be continued! Except not, I think? It somehow reminded me of a You Higuri manga, but nicer, because this is fluffy CLAMP, not horribly bloody death CLAMP. Anyway, it's toothless enough that I don't really care whether or not there's any more story, and whether I ever get to read it if there is).

CLAMP: RG Veda vol. 1
(I totally only picked this up in the library because of the storyline in Tsubasa with Yasha and Ashura, but reading it just made me more confused. Horrible bloody death CLAMP, obviously. I really liked the bit where they stand around casually arguing while the five-year-old gazes thirty feet up at where a dead woman has been impaled on the wall by a spear, her blood running in a great swath down onto the floor, then reaches out and puts his hand into her blood, tastes it, smiles, and has another bout of evil-spirit possession. At which point the adults start paying attention again. See? This is what happens when you leave children around the corpses of people who've been horribly murdered.

It doesn't really make any more sense than Wish--the events of the first half of the book could have taken all of ten minutes, for all the textual and visual clues as I had with regards to pacing and the passage of time--but it certainly is more interesting to look at. And Gigei was cool. Too bad she's also dead (like about 70% of all the characters, male and female, who appeared in this volume). Man, this thing has already exceeded the entire body count of Hamlet, and this is just volume 1).


CLAMP: Tsubasa Reservoir Chronicle vols. 1-17
(as I already said. God, I mean, this thing is captivating. I stand in great peril of it eating my brain).

Ishikawa Masayuki: Moyasimon: Tales of Agriculture vol. 1
(I thought the germs would like, have personalities. I'm actually kind of glad that they don't; the personalities of the actual humans are interesting enough).

Mizushiro Setona: After School Nightmare vol. 10
(Okay, that was weird. But why not? It's not like the initial premise made a lot of sense anyway).

Ono Natsume: Ristorante Paradiso.

Tanaka Masashi: Gon vol. 6.

Unita Yumi: Bunny Drop vol. 1.
cerusee: a white redheaded girl in a classroom sitting by the window chewing on a pencil and looking bored (Default)
Novels/prose books:

Gillespie, Tarleton: Wired Shut: copyright and the shape of digital culture
(I read this for a paper, but it's worth reading for its own sake: this is the most insightful book about DRM, aka Digital Rights Management, that I've ever read, and I've read a few. Gillespie's a scholar of communications, which means the whole model is right up my alley, but I think it's quite readable even if you didn't major in communications).


Graphic novels/comics:

Bechdel, Alison: The Essential Dykes to Watch Out For
(the fantastic review in the NYT that prompted me to go out and buy this the very day I read it, described this as "Doonesbury with more references to sex toys." I think that this is not inaccurate. I'm at a loss as how to expand on that review, so I'll settle for endorsing this as an excellent trade for $25. Every single time I read something--anything--by Bechdel, I'm ever more impressed with her as a creator).

Cooke, Darwyn: The Spirit, vol. 1
(Cooke is one of the only comics creators around right now who evidently gets it. Cooke's distinctive retro style--in both tone and art--is the perfect match for Eisner's creation, without being any kind of aping of Eisner.).

Simmonds, Posy: Tamara Drewe
(this has a lot in common with Gemma Bovary, and that's not a complaint. I love Simmonds' books; they're beautifully written, and she really makes that prose/illustration/comics panels mix work. It's so smooth that it never even occurs to me how easily it could go awry).

Towle, Ben: Midnight Sun
(unspectacular, but a good read).


Manga:

Hayashi Seiichi: Red-Colored Elegy
(Dammit, I was all set to lift my eyebrows at this being considered a classic work of its era, but somewhere after page 85 or so, it got to me. Semi-coherent, yes, dated, yes, but oh my god, those double-page spreads stunned me, and I had to stop and stare at them. I didn't entirely connect with it, but I want prints of those pages on my wall anyway.).

Mizushiro Setona: After School Nightmare vols. 5-7
(captivating, as usual. The gorgeous art, the weird atmosphere, the premise, which feels strange and unsettling even for manga--yes, manga, the holy source of pure cracktastic oddity--the touching moments of human connection).

Takahashi Rumiko: One Pound Gospel vols. 3-4
(this must be the most concise romance Takahashi's ever written. There's nothing particularly about the formula that begs a quick resolution--she could easily have stretched this out for another eight or twelve volumes, and it would have been no worse the wear for it than my beloved Maison Ikkoku--so I'm guessing that it just got canceled. I would have been happy to read more, but this is fine, too; it doesn't come across as unduly rushed).

Tezuka Osamu: Black Jack vol. 1
(Christ, this is awesome. I knew it would be, because Shaenon Garrity said so, and she's always right about this kind of thing.).

September 2012

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